9/20/2019 Aria Guitar Serial Number Lookup
Aria Pro II Bass Aria was formed in Japan in 1956 by Shiro Arai as 'Arai & Co., Inc'. They began retailing acoustic guitars in 1960, although the company did not start manufacturing their own until 1964. Aria arranged for, the musical instrument maker, to build the guitars for them under contract. Arai and Matsumoku started building acoustic guitars in 1964, and then electric guitars in 1966, using Arai, Aria, Aria Diamond, Diamond, and much less frequently, Arita brand names. The Aria brandname was changed to Aria Pro II in late 1975, though this has been used mostly (but not exclusively) for electric guitars and basses. All guitars were made in Japan until 1988, when production of less expensive models (Magna MAB/MAC and Integra IGB series) was switched to.
In the mid-1990s a few models (including the -inspired Fullerton series guitars and the 6-string fretless signature bass) were made in the. Guitar designer and audio engineer, started his career with Aria in 1985 when they were located in the.
This section contains content that is written like. Please help by removing and inappropriate, and by adding encyclopedic content written from a. (June 2009) Aria Pro II did some copies of famous American guitars such as the and the though it also did its own style of guitars. In the 70s and early 80s the company came into its own in the United States with a series of high end professional instruments. The company had professional endorsements from, Loose Wayne and SS of Dark Frost and many more.
Of Metallica used an Aria SB Black N Gold I as well as an SB-1000 bass but was never an official endorser. He has a posthumous 'Signature Model' called the SB-CB produced in Korea. Aria makes guitars ranging from beginner to professional models. Some of their professional models were known as Firebrands because of the Firebranded Aria logo on the reverse of the headstock.
The Firebrand guitars were produced in very small runs. They were then given to either named artists who promoted Aria Guitars or to the very top dealers as gifts. Firebranded Guitars were produced to a much greater standard than production runs. Aria has also built amps, such as the 10W Birdy. Gallery Aria Pro II. ^, ' The company Aria Co., Inc was established in 1956 by Mr.Shiro Arai.
^, ' On August 2nd, 1956, ARAI & CO., INC was founded.' . Fjestad, Zachary. Blue Book of Guitar Values.
Blue Book Publications, Inc. Luthier/designer Ronnie Parker was the CEO of RJP Technologies.
RJP Technologies has designed instruments for several large manufacturers including Washburn and Daisy Rock. Bibliography. Music-Trade.co.jp.: Dai-Showa Corporation.
Aria Guitars Arai & Co., Inc. (in Japanese).: Arai & Co., Inc.: Aria UK Limited.
Further reading. アリアの響 Aria's sounds. アリアプロIIの壱 Aria Pro II part 1. External links Wikimedia Commons has media related to. NAMM Oral History Library (2006).
Posted -: 16:22:56 Hey Bruce, I used to have an LW20 I picked up in the late 80s when I was in the Air Force in Germany. I bought it used from a guy who had bought it new in '85. I took that thing all over the world with me. The LW had a laminated top, and as such was built like a tank, but it played really well and didn't sound bad and I never had to worry about stability or cracking.
I traded it off a couple years ago to a co-worker and it still looks like new, short of some fret wear. The only infomation I have ever found is here: This catalog dates from the 80s. On this same site there is a price list from mid 70s and none of the AW/SW/LW series are listed. I think they came out early 80s and were made for most of the 80s. They are 10 times the instruments they put out these days. The solid wood models like the AW and SW I remember as being really pretty nice.
Hope this helps. I sent my coworker an email to get th serial number off the LW20 - I think based on my earlier searching its a production sequence number and maybe this will give you a ball park. Edited by - GalenB on 16:30:42. Posted -: 18:29:59 Probably no help, but my friend just sent me a shot of the back brace stamp and it is 612036 for this mid 80s Aria. So my earlier post that the guy I bought it from might be wrong; he must have bought it new in '86 or near the first of the year. This may not help either since your 8 digit number doesn't fit the format - it couldn't be a '66 since they didn't use serial numbers before the mid 70s. I would bet its after '87, and I have read before they started moving manufacturing to Korea.
That usually throws the whole serial number thing out.
Beautiful vintage hollow body, made in Japan. Impossible to date based on the serial number but my research points to this being an early 70’s model based on the features.
When this guitar arrived in my shop the wiring was bad as the insulation on the wires had basically crumbled from age. I replaced the entire wiring harness including all pots, jack, and pickup switch, BUT the pickups are still original. The guitar is in amazingly good condition with only a few minor marks here and there. Aside from the wiring the guitar is 100% original and the chrome is shiny and bright.
Minimal fret wear and a straight neck. The wood and finish are striking, it’s a beautiful example of Japanese guitar building in its heyday. No case included.
Six digit serial numbers date from the 70s, covering '71 through '80. Seven digit serial numbers date from the 80s, covering the period '81 through '90.
The first digit gives the year. Yours is a seven digit, starting 7, making it a 1987. There weren't many models in the XRB series, but what ones were manufactured appeared between '87 and '89. To the best of my knowledge these were manufactured in Japan, although Aria did move a large portion of its production to Korean at this time, '87 onwards. Edited February 15, 2010 by noelk27. I think I'm right in thinking if the neck plate doesn't read Made In Japan, then it's Korean.
Matsumoku stopped building Aria Pro (or anything else) in 1987, and I would expect that economic conditions would have meant that only the higher-end Arias would have continued being Japanese-made. Apropos of nothing, early Matsumoku serials, eg on the 'Steel Adjustable Neck' plates, appear to be random & not dateable. Early (pre 75-ish) set & through-neck instruments appear not to have serial numbers at all. url='Aria Archive pages/url iimply/i that these are Korean.
There's also a poor quality url='Catalogue Scan/url here. As Jon rightly states, 1987 marks the end of the Matsumoku plant - although precisely iwhen/i it actually closed seems to be rather elusive (it was ownedby Singer & they were having financial difficulties.) Exactly what got made where in this transitional year is open to debate. I used to own a Korean-built Magna Series 5 string & it shared several design features with your XRB - notably the 'conventional' pickups, 'bent tin' bridge & the small dot markers.
Aria Guitar Value
I don't see any string trees, does your headstock have a backwards slant as well? Also, is the neck painted or clear coated? The nearest thing to the XRB in the url='Catalogue/url are the RSB/Straycat models which have a very different flavour - pointy horns, soapbar pickups, die cast bridges, larger dot markers etc. all of which shout Matsumoku. My money's on yours being a 1987 Korean-built example. quote name='Bloodaxe' post='746452' date='Feb 15 2010, 08:20 PM'url='Aria Archive pages/url iimply/i that these are Korean.
There's also a poor quality url='Catalogue Scan/url here. As Jon rightly states, 1987 marks the end of the Matsumoku plant - although precisely iwhen/i it actually closed seems to be rather elusive (it was ownedby Singer & they were having financial difficulties.) Exactly what got made where in this transitional year is open to debate. I used to own a Korean-built Magna Series 5 string & it shared several design features with your XRB - notably the 'conventional' pickups, 'bent tin' bridge & the small dot markers. I don't see any string trees, does your headstock have a backwards slant as well? Also, is the neck painted or clear coated? The nearest thing to the XRB in the url='Catalogue/url are the RSB/Straycat models which have a very different flavour - pointy horns, soapbar pickups, die cast bridges, larger dot markers etc. all of which shout Matsumoku.
My money's on yours being a 1987 Korean-built example. Pete/quote thanks pete some really good info there well its certainly lacking the 'made in japan' stamp on the scratchplate,no string trees, the neck does slant back, and the neck is painted in the same finish as the body.by the sounds of it Kim Jong-il may have played a part in its construction. I have something that is near identical, but rather than XRB it has (had.) SLB2A Electronics (how and why can I still remember that?!) - switchgear is the same as yours. Mine's more of a slab body and the truss-rod adjustment's under a triangular-ish cover at the headstock end of the neck. Oh, and mine's currently in pieces and the body's down to bare ply.
I had it de-fretted years ago (as an experiment, you understand, but it played very nicely) and am just waiting for the opportunity to put it all back together. I bought mine new as a first bass when I was 15, so I guess we're looking at 88/89. Doesn't it fly? Thanks for the pics! No problem waldemar, i must admit i quite like the sound of it (bar the odd crackle) but im not so keen on the look of it, i have owned it for about 2 years after a guy i was working with at the the time overheard that i played bass and wanted to shift it, i just brought it for a change with no idea what it was worth on a whim!
With that in mind (and the fact that it mainly sits in its case doing nothing) i was thinking of putting it up for sale, what would be a fair price for something like this?seems a shame for it to sit around and not be played, and im sure someone out there is a fan of these (apart from yourself of course). I think I paid around £180 for mine back then. I wouldn't know where to start putting a price on one now, though. It won't be all that much, but they do play well and their sound is reasonably versatile - seen in the context of today's entry level market, that probably won't mean all that much. That nice understated retro-metal look might go a couple of quid in your favour at the right time and in the right place. I'd never let mine go seeing as it's my first, sentimentality aside I'd probably take £80. quote name='chrisd24' post='746609' date='Feb 15 2010, 10:20 PM'.with that in mind (and the fact that it mainly sits in its case doing nothing) i was thinking of putting it up for sale, what would be a fair price for something like this?seems a shame for it to sit around and not be played, and im sure someone out there is a fan of these (apart from yourself of course) /quote There's a passive one on the 'bay at the moment.
url='2/url currently at £51 with a day & a bit to go. It'll give you a guide as to what the market might stand. The later ones (Magnas etc) don't generally go for a lot tbh, I'd be surprised if this did over a ton.
quote name='Bloodaxe' post='746452' date='Feb 15 2010, 08:20 PM'My money's on yours being a 1987 Korean-built example./quote I'm not so sure about that. The information I've always had was that Aria didn't start production in Korea until '88. I don't have definitive information that production continued in Japan before '88, but it seems a fair assumption to make in the circumstances. quote name='waldemar' post='746586' date='Feb 15 2010, 10:03 PM'I have something that is near identical, but rather than XRB it has (had.) SLB2A Electronics (how and why can I still remember that?!) - switchgear is the same as yours.
I bought mine new as a first bass when I was 15, so I guess we're looking at 88/89. Doesn't it fly?/quote If your memory isn't playing tricks on you, and yours was the active model (SLB2A) as opposed to the passive model (SLB2), then you're looking at a date post '90, as that was the year the active model was introduced. Any time after '88 if it was the passive model. FYI, the SLB series was manufactured in Korea. quote name='noelk27' post='746665' date='Feb 15 2010, 11:03 PM'I'm not so sure about that. The information I've always had was that Aria didn't start production in Korea until '88.
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Matsumoku Serial Numbers
I don't have definitive information that production continued in Japan before '88, but it seems a fair assumption to make in the circumstances. If your memory isn't playing tricks on you, and yours was the active model (SLB2A) as opposed to the passive model (SLB2), then you're looking at a date post '90, as that was the year the active model was introduced. Any time after '88 if it was the passive model. FYI, the SLB series was manufactured in Korea./quote So if mine has a 7 digit serial number starting with a 7 (denoting 87) but is also active then its post 90? quote name='chrisd24' post='746695' date='Feb 15 2010, 11:31 PM'ah i see.sorry my bad, the acronyms all merged into a sea of letters!/quote Oh, believe me, I know the sensation.
As you learn more about Aria you'll see that models came and went from the catalogue with stunning regularity. It's not unusual for an Aria model to last just one year, and a series to last as few as two years. It's a situation that becomes even more confused and confusing with those models that don't have proper names, unlike Super Balanced (SB) or Thor Sound (TSB), instead just random letters, like XRB or CAT. Edited February 15, 2010 by noelk27.
Here is a bit of information I found while searching for information about my Aria (Ariana) A570 Classical Guitar, which you Aria owners may find beneficial. By the way, I still don't the actual age of mine. In the mid 70's, serial numbers began to be used. At least for Aria guitars, made by Matsumoku, the serial number contains the year of manufacture in the first 2 digits, thus a guitar from 1979 would have a serial number, such as 79####.
Aria Guitar Serial Number Search
The manufacturing of Aria guitars were subcontracted out to Matsumoku from 1964 to 1986. Rumor has it, although I can't find confirmation, that the Indonesian factory was thought to be to be an Indonesian 'slave' factory). If anyone has information on the age of the A570, I'd appreciate it.
My A570 sounds better than my Yahama C70. Related Instruments. I just acquired a Mdl. # 00144 and if yours is anything like mine its well worth fixing.
Use only a reputable luthier(for the bridge to'fall' off typically means that it got heated to 150 degrees F. Sniper ghost warrior serial key. Or more which is the melting point of horse hide glue which all quality guitar bridges are held on with)and if you're lucky no strands of top woodsound board came with it. If bits of grain did tear off with it, the ultimate way of restoring it is to replace themno voids because you want 100% contact of bridge to topwith grain strands on the bottom of your bridge you might be able to stick it right back where it was because this is the source of the guitar's tone) as these instruments deserve it. Best of luck to you. Greetings, I have an old Aria flamenco guitar with lighter body wood (probably cypress), model A543FS, serial # 00068. It has original friction pegs of rosewood and a solid cedar top. It looks to be all solid woods.
It is a beautiful-sounding guitar. I would like to know the age of this guitar.
With a serial # this low, I expect it would have been built in the early 70's or possibly in the 60's. Does anyone have any info on this instrument? I would reaaly apreciate knowing more!
Thanks, Jim Campbell.
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